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Gorillaz - Demon Days album mp3

Gorillaz - Demon Days album mp3

  • Performer: Gorillaz
  • Genre: Electronic / Hip-hop / Rock / Pop
  • Title: Demon Days
  • Released: 2017
  • Style: Leftfield, Trip Hop, Lo-Fi, Pop Rap, Brit Pop, Downtempo
  • Country: Europe
  • MP3 version size: 1144 mb
  • FLAC version size: 1635 mb
  • Other: MIDI AUD AIFF AA FLAC WMA AAC
  • Rating: 4.7
  • Votes: 962

Description

Enjoy this album, Demon Days by Gorillaz for free. This is the highest quality remastered versions of the album.

Формируйте собственную коллекцию записей Gorillaz.

Demon Days is the second studio album by British virtual band Gorillaz, released in May 2005. The album features contributions from De La Soul, Neneh Cherry, Martina Topley-Bird, Roots Manuva, MF DOOM, Ike Turner, Bootie Brown of the Pharcyde, Shaun Ryder, Dennis Hopper, the London Community Gospel Choir, and the Children’s Choir of San Fernandez. Albarn brought in Danger Mouse as producer. Demon Days entered the UK charts at and the . charts at outperforming the band’s 2001 debut, Gorillaz. The album has sold eight million copies worldwide. The album features the singles Feel Good.

Demon Days is the second formal studio album (excluding G-Sides and Laika Come Home) released by Gorillaz. It is a loose concept album revolving around the theme of personal demons and demons facing human society, specifically related to humanity’s innate capability to destroy itself and its environment. Following the breakout success of their debut album, Damon Albarn and Jamie Hewlett were excited at the prospect of a more cohesive follow-up. Hewlett said: Let’s repeat the same process, but do it better. It peaked at number one on the British OCC and 6th on the Billboard 200 in America. Gorillaz performed Demon Days Live at a five night residency at the Manchester Opera House in November 2005.

Demon Days is the second studio album by English virtual band Gorillaz. It was released on 11 May 2005 in the United Kingdom by Parlophone and on 23 May 2005 in the United States by Virgin Records. Produced by the band, Danger Mouse, Jason Cox, and James Dring, the album features contributions from De La Soul, Neneh Cherry, Martina Topley-Bird, Roots Manuva, MF DOOM, Ike Turner, Bootie Brown, Shaun Ryder, and Dennis Hopper

Album · 2005 · 15 Songs.

Gorillaz Demon Days –Fire Coming Out Of The Monkey s Head. Gorillaz Demon Days 2005 –All Alone feat Roots Manuva & Martin. :29. Gorillaz –12 Don t Get Lost In Heaven (Original Dem. :50. Gorillaz Demon Days 2005 –El Manana. Гориллы –O Green World. Gorillaz Demon Days 2005 –Feel Good Inc feat De La Soul. Gorillaz –Kids With Guns 2005 - Demon Days. Gorillaz –Fire Coming.

Demon Days album bass tab. by Gorillaz. View interactive tab. Download. This Is The Entire Demon Days Album for bass! 1. Intro 2. Last Living Souls 3. Kids With Guns 4. O Green World 5. Dirty Harry 6. Feel Good Inc. 7. El Manana 8. Every Planet We Reach Is Dead 9. November Has Come 10. All Alone 11. White Light 12. DARE 13. Fire Coming Out Of A Monkeys Head 14. Don't Get Lost In Heaven 15. Demon Days.

Demon Days Live was a limited concert tour performed by the British alternative rock virtual band Gorillaz, in support of their second studio album Demon Days. Demon Days Live consisted of two residencies, with five shows played at the Manchester Opera House in England, and another five played at New York City's Apollo Theater. The Manchester residency was later released onto DVD as Demon Days: Live at the Manchester Opera House

Gorillaz Demon Days CD Album. Featuring contributions from De La Soul, Neneh Cherry, Martina Topley-Bird, Roots Manuva, MF DOOM, Ike Turner, Bootie Brown of the Pharcyde, Shaun Ryder, Dennis Hopper, the London Community Gospel Choir and the Children's Choir of San Fernandez. 2. Last Living Souls.

Tracklist Hide Credits

A1 Intro
Written-By – Don Harper, Gorillaz
A2 Last Living Souls
Cello – Isabelle DunnDouble Bass – Al Mobbs, Emma SmithGuitar [Additional Guitar] – Simon TongViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonWritten-By – Gorillaz
A3 Kids With Guns
Vocals [Additional Vocals] – Neneh CherryWritten-By – Gorillaz
A4 O Green World
Guitar [Additional Guitar] – Simon TongWritten-By – Gorillaz
B1 Dirty Harry
Cello – Isabelle DunnChoir [Children's Choir] – San Fernandez Youth ChorusDouble Bass – Al Mobbs, Emma SmithFeaturing – Bootie BrownViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonWritten-By – Gorillaz, R. Robinson*
B2 Feel Good Inc.
Featuring – De La SoulGuitar [Additional Guitar] – Simon TongWritten-By – D. Jolicoeur*, Gorillaz
B3 El Mañana
Cello – Isabelle DunnDouble Bass – Al Mobbs, Emma SmithViola – Amanda Drummond, Stella PageViolin – Antonia Pagulatos, Sally JacksonWritten-By – Gorillaz
C1 Every Planet We Reach Is Dead
Cello – Isabelle DunnDouble Bass – Al Mobbs, Emma SmithPiano [Piano Solo], Soloist [Piano Solo] – Ike TurnerViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonWritten-By – Gorillaz
C2 November Has Come
Featuring – MF DoomWritten-By – D. Dumile*, Gorillaz
C3 All Alone
Cello – Isabelle DunnDouble Bass – Al Mobbs, Emma SmithFeaturing – Roots ManuvaGuitar [Additional Guitar] – Simon TongViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonVocals [Additional Vocals] – Martina Topley Bird*Written-By – Gorillaz, R. Smith*, S. Tong*
C4 White Light
Written-By – Gorillaz
D1 Dare
Backing Vocals – Rosie WilsonFeaturing – Shaun RyderWritten-By – Gorillaz
D2 Fire Coming Out Of The Monkey's Head
Narrator [Read By] – Dennis Hopper Written-By – Gorillaz
D3 Don't Get Lost In Heaven
Choir – London Community Gospel ChoirWritten-By – Gorillaz
D4 Demon Days
Cello – Isabelle DunnChoir – London Community Gospel ChoirDouble Bass – Al Mobbs, Emma SmithViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonWritten-By – Gorillaz

Companies, etc.

  • Record Company – Warner Music Group
  • Phonographic Copyright (p) – Parlophone Records Ltd.
  • Copyright (c) – Parlophone Records Ltd.
  • Copyright (c) – Gorillaz Partnership
  • Licensed To – Warner Bros. Records Inc.
  • Recorded At – Kong Studios
  • Recorded At – 13
  • Recorded At – St Stephen's Church, Canonbury
  • Mixed At – Pierce Rooms
  • Mastered At – Masterdisk
  • Exclusive Retailer – Vinyl Me, Please
  • Remastered At – Alchemy Mastering
  • Lacquer Cut At – Alchemy Mastering
  • Pressed By – GZ Media – 153238E
  • Published By – EMI Music Publishing Ltd.
  • Published By – De Wolfe Music Publishing Ltd.
  • Published By – Underground Animals
  • Published By – Big Bang Theory
  • Published By – 80's Kid Music
  • Published By – Lord Dihoo Music
  • Published By – Chrysalis Music Ltd.
  • Published By – Copyright Control

Credits

  • Artwork [All Artwork], Design – J.C. Hewlett*, Zombie Flesh Eaters
  • Artwork [Original Artwork By - Print] – Ariel Roman
  • Band [Gorillaz Are] – 2D , Murdoc Niccals, Noodle , Russel Hobbs
  • Engineer – Jason Cox
  • Lacquer Cut By – Bazza
  • Liner Notes [Words By] – Tyler Barstow
  • Management – CMO Management International
  • Mastered By – Howie Weinberg
  • Mixed By – Danger Mouse, Gorillaz, Cox*
  • Mixed By [Mixing Assisted By] – Steve Sedgwick*
  • Producer – Danger Mouse, Gorillaz, Dring*, Cox*
  • Programmed By – James Dring
  • Recorded By [Recording Assisted By] – Will Street

Notes

Vinyl Me, Please record of the month - April 2017
Comes in gatefold sleeve with credits and an illustration for each song inside. On each inner sleeve side a band "member" is illustrated.
Comes with a print and a cocktail recipe.
This is the first official reissue of the album. Half speed remastered.

A1. Intro contains elements from "Dark Earth" from "Dawn of the Dead" soundtrack, written by Don Harper & published by De Wolfe Music Publishing Ltd.

TM Gorillaz Partnership 2005.
Recorded at Kong Studios & 13.
Tracks D3 & D4: Choir recorded at St. Stephen's Church Canonbury.
Mixed [...] at Pierce Rooms London.
Mastered [...] at Masterdisk NY.
Debt Collectors in Lagos photo courtesy www.scamorama.com © Copyright 2005 Scamorama.

All tracks published by EMI Music Publishing Ltd. except:
Intro: EMI Music Publishing Ltd / De Wolfe Music Publishing Ltd.
A3, A4 & B3: EMI Music Publishing Ltd / Underground Animals (ASCAP)
B1: EMI Music Publishing Ltd / Big Bang Thoery (BMI) / Underground Animals (ASCAP)
B2: EMI Music Publishing Ltd / 80's Kid Music (BMI) / Underground Animals (ASCAP)
C2: EMI Music Publishing Ltd / Lord Dihoo Music
C3: EMI Music Publishing Ltd / Chrysalis Music Ltd / Copyright Control
D1: EMI Music Publishing Ltd / Underground Animals (ASCAP)

Warner Bros. Records Inc., A Warner Music Group Company.
© 2005 Parlophone Records Ltd. under exclusive license to Warner Bros. Records Inc. ℗ 2017 Parlophone Records Ltd. under exclusive license to Warner Bros. Records Inc.

© TM Gorillaz Partnership 2005

Barcode and Other Identifiers

  • Barcode (Printed (no spaces)): 190295859992
  • Barcode (As printed on sleeve): 1 90295 85999 2
  • Matrix / Runout (Side A runout, etched (variants 1 & 2)): 5859992-A¹ BAZZA ALCHEMY
  • Matrix / Runout (Side A runout, stamped (variants 1 & 2)): 153238E1/A1
  • Matrix / Runout (Side B runout, etched (variants 1 & 2)): 5859992-B¹
  • Matrix / Runout (Side B runout, stamped (variants 1 & 2)): 153238E2/A1
  • Matrix / Runout (Side C runout, etched (variants 1 & 2)): 5859992-C¹
  • Matrix / Runout (Side C runout, stamped (variant 1)): 153238E3/A
  • Matrix / Runout (Side C runout, stamped (variant 2)): 153238E3/A1
  • Matrix / Runout (Side D runout, etched (variants 1 & 2)): 5859992-D¹
  • Matrix / Runout (Side D runout, stamped (variant 1)): 153238E4/A
  • Matrix / Runout (Side D runout, stamped (variant 2)): 153238E4/A2
  • Rights Society: ASCAP
  • Rights Society: BMI

Other versions

Category Artist Title (Format) Label Category Country Year
00946 311691 2 0, 0946 311691 2 0, 311 6912 Gorillaz Demon Days ‎(CD, Album) Parlophone, Parlophone, Parlophone 00946 311691 2 0, 0946 311691 2 0, 311 6912 Europe 2005
GDD0724387383814 Gorillaz Demon Days ‎(2xLP, Album, Promo, Unofficial, Mar) Not On Label (Gorillaz) GDD0724387383814 Europe 2016
0946 311688 2 6 Gorillaz Demon Days ‎(CD, Album) Parlophone, EMI 0946 311688 2 6 Canada 2005
07243 873838 1 4 Gorillaz Demon Days ‎(LP, Album, Unofficial, Blu + LP, Album, Unofficial) Parlophone 07243 873838 1 4 UK 2015
094631168826 Gorillaz Demon Days ‎(CD, Album, Copy Prot.) Parlophone 094631168826 Malaysia 2005

Tracklist Hide Credits

1 Intro
Written-By – Don Harper, Gorillaz
1:03
2 Last Living Souls
Cello – Isabelle DunnDouble Bass – Al Mobbs, Emma SmithGuitar [Additional] – Simon TongViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonWritten-By – Gorillaz
3:10
3 Kids With Guns
Vocals [Additional] – Neneh CherryWritten-By – Gorillaz
3:45
4 O Green World
Guitar [Additional] – Simon TongWritten-By – Gorillaz
4:31
5 Dirty Harry
Cello – Isabelle DunnChoir – San Fernandez Youth ChorusDouble Bass – Al Mobbs, Emma SmithFeaturing – Bootie BrownViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonWritten-By – Gorillaz, R. Robinson*
3:43
6 Feel Good Inc.
Featuring – De La SoulGuitar [Additional] – Simon TongWritten-By – D. Jolicoeur*, Gorillaz
3:41
7 El Mañana
Cello – Isabelle DunnDouble Bass – Al Mobbs, Emma SmithGuitar [Additional] – Simon TongViola – Amanda Drummond, Stella PageViolin – Antonia Pagulatos, Sally JacksonWritten-By – Gorillaz
3:50
8 Every Planet We Reach Is Dead
Cello – Isabelle DunnDouble Bass – Al Mobbs, Emma SmithPiano [Solo] – Ike TurnerViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonWritten-By – Gorillaz
4:53
9 November Has Come
Featuring – MF DoomWritten-By – D. Dumile*, Gorillaz
2:41
10 All Alone
Cello – Isabelle DunnDouble Bass – Al Mobbs, Emma SmithFeaturing – Roots ManuvaGuitar [Additional] – Simon TongViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonVocals [Additional] – Martina Topley Bird*Written-By – Gorillaz, R. Smith*, S. Tong*
3:30
11 White Light
Written-By – Gorillaz
2:08
12 Dare
Backing Vocals – Rosie WilsonFeaturing – Shaun RyderWritten-By – Gorillaz
4:04
13 Fire Coming Out Of The Monkey's Head
Read By – Dennis Hopper Written-By – Gorillaz
3:16
14 Don't Get Lost In Heaven
Choir – London Community Gospel ChoirWritten-By – Gorillaz
2:00
15 Demon Days
Cello – Isabelle DunnChoir – London Community Gospel ChoirDouble Bass – Al Mobbs, Emma SmithViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonWritten-By – Gorillaz
4:28

Companies, etc.

  • Copyright (c) – Gorillaz Partnership
  • Phonographic Copyright (p) – EMI Records Ltd.
  • Copyright (c) – EMI Records Ltd.
  • Recorded At – Kong Studios
  • Recorded At – 13
  • Recorded At – St Stephen's Church, Canonbury
  • Mixed At – Pierce Rooms
  • Mastered At – Masterdisk
  • Published By – EMI Music Publishing Ltd.
  • Published By – De Wolfe Music Publishing Ltd.
  • Published By – Underground Animals
  • Published By – Big Bang Theory
  • Published By – 80's Kid Music
  • Published By – Lord Dihoo Music
  • Published By – Chrysalis Music Ltd.
  • Pressed By – www.mediamotion.com

Credits

  • Artwork, Design – J.C. Hewlett*, Zombie Flesh Eaters
  • Engineer – Jason Cox
  • Management – CMO Management International
  • Mastered By – Howie Weinberg
  • Mixed By – Danger Mouse, Gorillaz, Cox*
  • Mixed By [Assistant] – Steve Sedgwick*
  • Performer [Gorillaz Are] – 2D , Murdoc*, Noodle , Russel Hobbs
  • Producer – Danger Mouse, Gorillaz, Dring*, Cox*
  • Programmed By – James Dring
  • Recorded By [Assistant] – Will Street

Notes

℗ 2005 The copyright in this sound recording is owned by EMI Records Ltd. © 2005 EMI Records Ltd.
Made in the EU.

Catalogue numbers printed on this product:
0946 3 11691 2 0 / 3 11691 2 (bold) / 311 6912 > Around barcode.
0946 311691 2 0 > Inlay edges.

Barcode and Other Identifiers

  • Barcode: 0 94631 16912 0
  • Barcode (Scanned): 094631169120
  • Label Code: LC0299
  • Rights Society: bel BIEM
  • Matrix / Runout (Variant 1): 010331-NL WWW.MEDIAMOTION.COM 3116912 @ 1
  • Mastering SID Code (Variant 1): IFPI LW04
  • Mould SID Code (Variant 1): IFPI 1524
  • Matrix / Runout (Variant 2): 010213-NL WWW.MEDIAMOTION.COM 3116912 @ 1
  • Mastering SID Code (Variant 2): IFPI LW04
  • Mould SID Code (Variant 2): IFPI AAH68
  • Matrix / Runout (Variant 3): 010103-NL WWW.MEDIAMOTION.COM 3116912 @ 1
  • Mastering SID Code (Variant 3): IFPI LW04
  • Mould SID Code (Variant 3): IFPI 1528
  • Matrix / Runout (Variant 4): 010103-NL WWW.MEDIAMOTION.COM 3116912 @ 1
  • Mastering SID Code (Variant 4): IFPI LW04
  • Mould SID Code (Variant 4): ifpi AAH97
  • Matrix / Runout (Variant 5): 010414-NL WWW.MEDIAMOTION.COM 3116912 @ 1
  • Mastering SID Code (Variant 5): IFPI LW04
  • Mould SID Code (Variant 5): ifpi AAHF6
  • Matrix / Runout (Variant 6): 010104-NL WWW.MEDIAMOTION.COM 3116912 @ 1
  • Mastering SID Code (Variant 6): IFPI LW04
  • Mould SID Code (Variant 6): ifpi 1525
  • Matrix / Runout (Variant 7): 010110-NL WWW.MEDIAMOTION.COM 3116912 @ 1
  • Mastering SID Code (Variant 7): IFPI LW04
  • Mould SID Code (Variant 7): IFPI AAH28
  • Matrix / Runout (Variant 8): 010504 WWW.MEDIAMOTION.COM 3116912 @ 1
  • Mastering SID Code (Variant 8): IFPI LW04
  • Mould SID Code (Variant 8): ifpi AAH61

Other versions

Category Artist Title (Format) Label Category Country Year
00946 311691 2 0, 0946 311691 2 0, 311 6912 Gorillaz Demon Days ‎(CD, Album) Parlophone, Parlophone, Parlophone 00946 311691 2 0, 0946 311691 2 0, 311 6912 Europe 2005
GDD0724387383814 Gorillaz Demon Days ‎(2xLP, Album, Promo, Unofficial, Mar) Not On Label (Gorillaz) GDD0724387383814 Europe 2016
0946 311688 2 6 Gorillaz Demon Days ‎(CD, Album) Parlophone, EMI 0946 311688 2 6 Canada 2005
07243 873838 1 4 Gorillaz Demon Days ‎(LP, Album, Unofficial, Blu + LP, Album, Unofficial) Parlophone 07243 873838 1 4 UK 2015
094631168826 Gorillaz Demon Days ‎(CD, Album, Copy Prot.) Parlophone 094631168826 Malaysia 2005

Tracklist Hide Credits

1 Intro
Written-By – Don Harper, Gorillaz
1:03
2 Last Living Souls
Cello – Isabelle DunnDouble Bass – Al Mobbs, Emma SmithGuitar [Additional] – Simon TongViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonWritten-By – Gorillaz
3:10
3 Kids With Guns
Vocals [Additional] – Neneh CherryWritten-By – Gorillaz
3:45
4 O Green World
Guitar [Additional] – Simon TongWritten-By – Gorillaz
4:31
5 Dirty Harry
Cello – Isabelle DunnChoir – San Fernandez Youth ChorusDouble Bass – Al Mobbs, Emma SmithFeaturing – Bootie BrownViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonWritten-By – Gorillaz, R. Robinson*
3:43
6 Feel Good Inc.
Featuring – De La SoulGuitar [Additional] – Simon TongWritten-By – D. Jolicoeur*, Gorillaz
3:41
7 El Mañana
Cello – Isabelle DunnDouble Bass – Al Mobbs, Emma SmithGuitar [Additional] – Simon TongViola – Amanda Drummond, Stella PageViolin – Antonia Pagulatos, Sally JacksonWritten-By – Gorillaz
3:50
8 Every Planet We Reach Is Dead
Cello – Isabelle DunnDouble Bass – Al Mobbs, Emma SmithPiano [Solo] – Ike TurnerViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonWritten-By – Gorillaz
4:53
9 November Has Come
Featuring – MF DoomWritten-By – D. Dumile*, Gorillaz
2:41
10 All Alone
Cello – Isabelle DunnDouble Bass – Al Mobbs, Emma SmithFeaturing – Roots ManuvaGuitar [Additional] – Simon TongViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonVocals [Additional] – Martina Topley Bird*Written-By – Gorillaz, R. Smith*, S. Tong*
3:30
11 White Light
Written-By – Gorillaz
2:08
12 Dare
Backing Vocals – Rosie WilsonFeaturing – Shaun RyderWritten-By – Gorillaz
4:04
13 Fire Coming Out Of The Monkey's Head
Read By – Dennis Hopper Written-By – Gorillaz
3:16
14 Don't Get Lost In Heaven
Choir – London Community Gospel ChoirWritten-By – Gorillaz
2:00
15 Demon Days
Cello – Isabelle DunnChoir – London Community Gospel ChoirDouble Bass – Al Mobbs, Emma SmithViola – Amanda Drummond, Stella PageViolin – Prabjote Osahn, Sally JacksonWritten-By – Gorillaz
4:28

Companies, etc.

  • Copyright (c) – Gorillaz Partnership
  • Phonographic Copyright (p) – EMI Records Ltd.
  • Copyright (c) – EMI Records Ltd.
  • Recorded At – Kong Studios
  • Recorded At – 13
  • Recorded At – St Stephen's Church, Canonbury
  • Mixed At – Pierce Rooms
  • Mastered At – Masterdisk
  • Published By – EMI Music Publishing Ltd.
  • Published By – De Wolfe Music Publishing Ltd.
  • Published By – Underground Animals
  • Published By – Big Bang Theory
  • Published By – 80's Kid Music
  • Published By – Lord Dihoo Music
  • Published By – Chrysalis Music Ltd.
  • Glass Mastered At – Sony Music México – DIDX 113758
  • Distributed By – EMI Music Mexico, S.A. De C.V.
  • Manufactured By – EMI Music Mexico, S.A. De C.V.
  • Made By – EMI Music Mexico, S.A. De C.V.

Credits

  • Artwork, Design – J.C. Hewlett*, Zombie Flesh Eaters
  • Engineer – Jason Cox
  • Management – CMO Management International
  • Mastered By – Howie Weinberg
  • Mixed By – Danger Mouse, Gorillaz, Cox*
  • Mixed By [Assistant] – Steve Sedgwick*
  • Performer [Gorillaz Are] – 2D , Murdoc*, Noodle , Russel Hobbs
  • Producer – Danger Mouse, Gorillaz, Dring*, Cox*
  • Programmed By – James Dring
  • Recorded By [Assistant] – Will Street

Notes

Recorded at Kong Studios & 13.
Tracks 14 & 15: Choir recorded at St Stephen's Church Canonbury.
Mastered at Masterdisk NY.
Mixed at Pierce Rooms London.

Track 1, "Intro", contains elements from "Dark Earth" from "Dawn Of The Dead" soundtrack, written by Don Harper.

℗ 2005 The copyright in this sound recording is owned by EMI Records Ltd. © 2005 EMI Records Ltd.

Hecho en México

Barcode and Other Identifiers

  • Barcode: 0 94631 16882 6
  • Matrix / Runout: DIDX 113758 02 Mastered by Sony Music México
  • Mastering SID Code: IFPI LE81
  • Mould SID Code: IFPI 6402
  • Other (Mould Code): S M M

Other versions

Category Artist Title (Format) Label Category Country Year
00946 311691 2 0, 0946 311691 2 0, 311 6912 Gorillaz Demon Days ‎(CD, Album) Parlophone, Parlophone, Parlophone 00946 311691 2 0, 0946 311691 2 0, 311 6912 Europe 2005
GDD0724387383814 Gorillaz Demon Days ‎(2xLP, Album, Promo, Unofficial, Mar) Not On Label (Gorillaz) GDD0724387383814 Europe 2016
0946 311688 2 6 Gorillaz Demon Days ‎(CD, Album) Parlophone, EMI 0946 311688 2 6 Canada 2005
07243 873838 1 4 Gorillaz Demon Days ‎(LP, Album, Unofficial, Blu + LP, Album, Unofficial) Parlophone 07243 873838 1 4 UK 2015
094631168826 Gorillaz Demon Days ‎(CD, Album, Copy Prot.) Parlophone 094631168826 Malaysia 2005

Video

Comments

Keth Keth
A little noisier than most Gorillaz records usually are, but barely. Still the brilliant quality that we can expect from Parlophone.
Made-with-Love Made-with-Love
Not only has this been reissued on black vinyl through parlophone but the red vinyl version is available again from vinylmeplease for 29 dollars.
Nilasida Nilasida
It's hilarious, how VMP 'limits' their records, We see over 6K owneres of this records registered here, so at least 20K copies has been made. Anyway, I shuld had been pacient and wait for regular black edition, but I wanted it asap so I signed for VMP then
Feri Feri
UPDATE: Sold out again from VMP Store as of Jan 19, 2018.Pretty perfect pressing. Every track sounds full while leaving a lot of separation between different sounds. It's mastered loud and the low end even louder and that's exactly how an album like this should sound. Virtually no surface noise between tracks and definitely none during tracks. The translucent red records look even sexier in person than they do in pictures.The sleeve is also pretty perfect. A gorgeous heavyweight matte gatefold jacket with individual single artwork for all 15 tracks inside. Each record is housed in a picture sleeve with one member of the band in profile on each side. If I have one complaint, it's that the gatefold pockets are very tight, so getting everything in and out takes a bit longer than it should.I know VMP had a bunch of pressing issues with this, but now that they're all sorted out, this is a must own. I'm honestly shocked the label hasn't done a black pressing to release wide yet. Odd for their most popular album to be the only one not widely available on vinyl.
Thomeena Thomeena
Ordered my copy in mid-late December from VMP, and just received it. Sound quality is great, and there are no discernible errors. All tracks play without skips or any sign of a locked groove on my Technics 1200 MK5.
Granigrinn Granigrinn
This album sounds incredible. Probably the best bass on any album I own.
Silvermaster Silvermaster
Anyone has at least 2 or 3 skips on "Dare" ? pretty annoying as the rest sounds GREAT (I have the repress not the original mispress), thanks...
Qusicam Qusicam
Did you end up choosing anything as of yet or?
Exellent Exellent
These are some of the best videos I have seen comparing different price ranged tables to eachother. Dont worry too much about what you choose, like I said Im sure you will enjoy almost whatever it is. But give these a look, it might give some pointers!https://www.youtube.com/watch?v=J_LzV45Ha30&thttps://www.youtube.com/watch?v=MuuOgT0XBK0&t
Butius Butius
Thanks a lot, I will definitely reconsider my future purchase and look at the brands you recommend !
Fiarynara Fiarynara
Ah I see, Im sure you would be happy with it, but just to go over some pros and cons I see know. Depending on what type of music enthusiast and consumer you are you may favor different options relatively speaking. In case you are not aware these are the DJ tables pioneered (no pun intended) by Technics. Other brands like Audio Technica who sell the AT LP120 and 60 which you have, also mimic this style. But the absolute holy grail of these would be the Technics SL 1200 series. At a price similar to the PLX 500 you can get a much better deck in almost every area, the only problem being that they can only be bought used. Finding one in your area might or might not be difficult but buying online is an option, that is if you feel comfortable with it. There is a reason why DJs seek out these decks to this day. But if you dont feel comfortable with shipping and used goods then stick with local.This leads into my next point. Do you see yourself using a lot of the features these DJ tables offer? If you do then great, it might be near perfect for you. Personally I just want to listen to music and because of that would look towards brands that focus on that type of consumer base. You might look at other tables and think they have less features and must be worse options, but its really simple economic budget theory. If you have 300$ to spend manufacturing something the less complicated it is the more money you can spend making sure the parts perform better.Brands like Pro-ject and especially Rega adopt the philosophy of making a simple, plug and play, yet fantastically performing tables. You wont get any strobe lights, quartz locks, automatic mechanisms etc, but you will get a better player for your money.
Stanober Stanober
Thanks, very informative answer ! I have seen a Pioneer PLX-500 in a shop here that is not too expensive for my budget, do you think it's decent ?
Jaberini Jaberini
No problem, to me it sounds like the cart just cant handle the grooves entirely. Dare is one of the more House like songs with a lot of bass, which usually are the songs most prone to skipping. Dont feel too bad about the AT LP60 though, its a viable TT for people just getting into vinyl, especially with that AT upgrade cart you mentioned. There is variability when it comes to tables in those price ranges however. So while one might be fine with that song yours will not because of factors like lighter tracking force, slight misalignment of off set anti skate which I believe is automatic and unchangeable on that TT.If I may ask, what are you planing to get in the future, and Ill let you know if it at the very least will be able to play without skips.
Black_Hawk_Down Black_Hawk_Down
Hi, thanks for the speedy reply ! First of all I must admit I don't have an audiophile deck at all, I'm using an Audio-Technica AT-LP 60 with I believe an upgraded AT cartridge tho (was a special offer...), sound is provided by my Bose Wave (I know it's not ideal at all but does the job...). But the point is that I don't have skips on any records that aren't supposed to skip (I always look here if I have a skipping record and most of the time users do report it). I have cleaned the cartridge just before playing it, and it went thru sides A, B and C perfectly until I flipped to side D and then 2 skips on the first half of Dare, and no more after thanks god ! I have checked also the 2 mispress and mine is definitly not one of these not having any of the issues described and I received it pretty recently from VMP anyway (I guess I was one of the last customer to be able to grab one...). I guess I can try to clean the record and give it another go...And yes I plan to change my turntable soonish :)
Skunk Black Skunk Black
What equipment do you have, either its a problem with your setup or its a miss pressed vinyl version. There are 2 miss presses versions of this currently on Discogs
Beydar Beydar
i just got this in the mail, and it sounds like garbage. massive distortion on every single track
Saberdragon Saberdragon
Given the high prices, I was tempted to sell this reissue until I listened to it. Pressing sound EXCELLENT, the locked groove issue seems to have been fixed, and great packaging.
Legionstatic Legionstatic
I just got my copy in the mail yesterday (I swapped). Fortunately, my copy doesn't have any audio issues.
Bluecliff Bluecliff
Is your 45 RPM or 33 1/3? Mine showed up this weekend and isn't half speed mastered.
Beazerdred Beazerdred
the VMP pressing has a major defect. The last 3 songs on the album are a contiguous piece of music without any gaps. For some unknown reason this pressing has gaps between the songs that ruins the song cycle for the listener.
SoSok SoSok
I'm considering ordering more copies of it just because of the value or for something to trade off
Voodoozragore Voodoozragore
still fetches $100 mint condition and or unopened with all the goodies.
Gavigamand Gavigamand
Well, it isn't just side four. There's supposed to be transitions between Dirty Harry and Fell Good Inc., and I think others as well. However, VMP staff have commented on this on the member forum; apparently the masters the band released had the gaps, and there's not much VMP can do about that.
Amerikan_Volga Amerikan_Volga
Sound quality is surprisingly better than the digital version. Bass is very strong.The copy I got had the locked groove defect on Side C during All Alone's rap part, but after looking up online for fixes I managed to fix it myself by carefully pushing the needle more into the vinyl during the locked groove part (I do not recommend this!). Only had to do this once and now it plays regularly. Thankfully neither my needle nor record got damaged, however I will have to see in the long run.
Bragis Bragis
This pressing sounds incredible. I can't understand the people who think otherwise.
Lightbinder Lightbinder
I'm not seeing that on any of the songs on the copy I ripped. Feel Good Inc. and Dirty Harry both have non-clipped looking drums.
Runemane Runemane
They limited the drums (it's "brickwalled" -> https://www.reddit.com/r/gorillaz/comments/65qxja/the_vmp_demon_days_pressing_has_limiting_on_the/) and I really miss the fade from Dirty Harry to Feel Good Inc. Despite that it's brilliant!
Tebei Tebei
A greatly mastered and pressed record made with a lot of care. At first I was worried the bass might be too strong. But when Feel Good Inc started playing it was like hearing it again for the first time, such chills. Design wise its stylistic and fresh looking. The classic Gorillaz artwork is here displayed in all elements. If anyone is worried that it might sound worse because of its red coloring you can sleep well knowing from me that there is absolutely nothing worse about it. Remember that black is also a coloring process and that clear is vinyls original form. Plus it looks gorgeous this way.Equipment used:Rega RP1 with Rega Carbon cartridgeCyrus 2 AmplifierSystem Fidelity SF-3050 tower speakersCustom made HQ speaker cables
sobolica sobolica
You are correct. There's absolutely no proof that colored vinyl is worse or somehow inferior to black vinyl. It's all about the quality of the vinyl itself. Anybody who thinks this is a fucking moron and probably isn't a serious record collector.
Dibei Dibei
No, it is not! Probably you mean picture discs or lathe cutted colored vinyls. Otherwise, colored, multicolored or splattered does not matter - each of these can be better than black ones...
Celak Celak
Trumpduck Colored vinyl will always sound inferior to black and clear vinyl. Black vinyl does not lose anywhere near the sound quality or soundstage that gimmicky colored vinyl robs of the music. As I understand it its mostly about the quality of the vinyl itself. Since black is also a coloration from its original form I dont see why its better than any other color. Unless you perhaps have a study on that.
Binthars Binthars
The bass on this pressing absolutely knocks. I could not be happier with this.
Snowskin Snowskin
Am I the only one disappointed with this repress? I have the original 2005 pressing as well and it is definitely superior. This new pressing has several spots where the EQ seems off, with some vocals being overly loud and others quiet. I've also noticed the transitions between songs is way off. There's a long break when they should seque into each other. Most obvious examples of this are Dirty Harry -> Feel Good Inc. and Don't Get Lost in Heaven -> Demon Days. One of my favorite albums ever, so I apologize for being nitpicky.
Gashakar Gashakar
yeah i would say this has a lot of sibilance on most of the tracks...
Ƀ⁞₳⁞Ð Ƀ⁞Ǿ⁞Ɏ Ƀ⁞₳⁞Ð Ƀ⁞Ǿ⁞Ɏ
woohokie Am I the only one disappointed with this repress? I have the original 2005 pressing as well and it is definitely superior. This new pressing has several spots where the EQ seems off, with some vocals being overly loud and others quiet. I've also noticed the transitions between songs is way off. There's a long break when they should seque into each other. Most obvious examples of this are Dirty Harry -> Feel Good Inc. and Don't Get Lost in Heaven -> Demon Days. One of my favorite albums ever, so I apologize for being nitpicky. Yeah, im a but bummed about that. The fact I didn't have to pay over one hundred bucks for it kind of makes it okay. Still hunting for the original though.
Delalbine Delalbine
I agree about the transitions. When I heard the pause between Dirty Harry and Feel Good Inc., my heart dropped. I continued listening hoping that it wouldn't happen between Don't Get Lost in Heaven and Demon days, but it sure did happen and it sure did make me sad.
Knights from Bernin Knights from Bernin
I agree with Wohookie. The EQ balance is off on this pressing. Hyped bass in particular. Not terrible, on the other hand; this pressing is great for vinyl addicts who could otherwise not get the 2005 pressing. By the way, no looping on 'All Alone' or anywhere on side c/d for me using both Nagaoka MP150 and MP200 after cleaning using solution and brush. My be a burr issue. Oh, also, the packaging is not as high quality as the original (talk about nitpicking). And, finally, in my experience, there is more surface noise than my original pressing. Just a few personal impressions based upon my setup. YMMV.
Gugrel Gugrel
I too am honestly very disappointed in the lack of transitions between those songs as well. Apparently the remaster went through 4 different groups for approval including Damon Albarn himself before getting repressed. It is a little nitpicky but still understandable criticism since (while i don't own an original vinyl pressing anymore but I do have an original CD from 2005) the way the songs transition into each other is fantastic and seamless.
Utchanat Utchanat
This release has been highly anticipated by vinyl lovers and it delivers on the promise. The pressing is flawless, quiet and flat, the SQ is excellent, not hot nor bass heavy as some have claimed. No issues with tracking or locked grooves etc, it is a dynamic record though so poorly setup TT's may have issues (or Crossley's ;) It is all I had hoped for.
Briciraz Briciraz
Got my VMP-copy today. Perfect pressing, no skipping problems. Also the half-speed mastering was done very well - the music sounds phenomenal! My only complaint is that the cover and jacket came a bit messed up inside the package, but oh well.
Brariel Brariel
So I got my copy in the mail a few days back and while initially I was really happy to finally have this amazing album back in my collection. Upon listening to it I ran into a huge problem. On All Alone the first sentence in the first rap verse loops infinitely. I sent an email to VMP and fortunately they where kind enough to send me a new a copy of the record but before I got a response I went on subreddits and forums talking about this release and apparently this reissue is ripe with problems. The 2 major problems i seem to come across being excessive surface noise on side C & D and the center labels being pressed incorrectly. While I'm fortunate enough to be given a new copy from VMP, if you're buying from Discogs or Ebay sellers, know that there is a very slight chance that your record may be a bad pressing. Unless you just have to have it mint, try and buy the record already open and pre-played so your seller can ensure you of the quality of the record. Good luck and happy hunting.
Mazuzahn Mazuzahn
Already contacted them a few days back and I'll be getting my new copy by early next week. Guess I'm just framing my extra copy.
Samugor Samugor
Mine plays back in same spot. Did you notify vmp? I did and have another copy on the way. They will have you send vid proof.
Spilberg Spilberg
Just received mine. The vinyl itself is perfect. No skipping, the labels are on point.The jacket has an odd size indeed, but no seem splits or such. I love it even more after listening to the crappy bootleg I have for comparison! New favorite vinyl!
Drelalak Drelalak
Sounds amazing, but yeah. As typical with VMP the jacket is too small/sleeves too big. The seams came split. Which is fine. I'm not selling it or anything, but yeesh. Again: sounds great.
Larosa Larosa
Man. What a pressing. The bass is perfect!!!
Gold as Heart Gold as Heart
Incredible pressing of an equally incredible album. The best quality version of the album to date.
Enila Enila
I have given this new reissue two listens now, so I think I have my notes together on it. I am over the moon to finally have a great sounding copy of this album that I have held dear for a good chunk of my life. I'll break my thoughts about the release down into good and bad:The Good: Basically everything important. The sound quality is amazing on my setup. They absolutely nailed this pressing. No skipping and extremely little surface noise. The clear red wax is good looking, and there were zero issues with sloppy labeling on my copy like I have seen elsewhere. The discs are nice and thick. This should be a great version for me to listen to for years to come.The Bad: These are mainly minor issues, but there are several details about the packaging of this reissue that aren't great to me. I have seen some extremely well done packaging jobs, and this just isn't one. I wanted this album to get a glorious reissue, and from all the hype material I had read from VMP, it sounded like this would deliver. Unfortunately, they didn't wow me here, and they actually dropped a couple pretty big balls, one being WHY IS THE JACKET TOO SMALL?! This is an issue VMP seems to struggle with on repeated ROTMs for some odd reason, when I see it very rarely elsewhere. Jacket size seems like it would be something so easy to get right, and a roomy jacket is necessary if you want to keep the discs in static-free sleeves. Once again with a VMP ROTM release, the sleeves poke out of the jacket on my copy and simply don't fit right. Another thing that really bugs me here are the inserted breaks between tracks that my CD version never had. Several tracks use continued sounds from the previous track in their start, and this ruins that seemless transition from one song to the next. Moving past the main issues and onto more nitpicky stuff, the printed inner sleeves with band member faces on them are very cool, but the artwork for each face is turned the wrong way. It throws me off every time putting the sleeves back into the jacket that the faces aren't turned like on the album cover. These printed sleeves also contain a ton of paper dust that my discs came out with and surely will collect more of because I have no choice but to keep storing them in these sleeves, since they are all that will fit (sortof) in the jacket. Finally, I love the little sticker add-in, but was a bit disappointed to not get any inserts with additional behind-the-scenes material, recording session pictures, etc. (really any artwork or material that wasn't in the original CD release) that you see with a lot of reissues of great albums. Overall, I am very happy with this release because they nailed the music, which is obviously most important. I'm just a bit disappointed they didn't seem to go the extra mile on the packaging (or at least get the freaking jacket size right). I had lofty expectations after listening to and reading all of VMP's excitement about reissuing this record. Still an amazing choice of ROTM and very well executed audio. Keep up the good work guys!
Adrietius Adrietius
My copy sounds great and did not come with paper shreds on the records or skip while playing All Alone. Guess it's just a roll of the dice. Overall, very happy with this release and stoked to finally be able to cross this white whale off my list.
Kulasius Kulasius
My copy has an endless skip during "All Alone". Anyone else with this issue?
Iaiastta Iaiastta
I have the exact same problem with my copy too, and I e-mailed the VMP team yesterday and received an automated message so far. My hopes are that they'll expedite this problem the same way they did for their J. Dilla | Donuts March 2015 release, but I'm worried that since it's only a couple hundred records compromised they may or may not. My experiences with the VMP team's customer service has been great so for - so i'm keeping my fingers crossed for some good news.
Global Progression Global Progression
I have the same problem. I have an endless skip in the beginning of dare, too. :(
Alister Alister
If you head over to the VMP forums there is a discussion on this. They are aware of the issue -- email [email protected]
Uaha Uaha
I have this skip as well, I am sending them an email today.
Kare Kare
Technics SL-1700. I've tried thoroughly cleaning the record and adjusting the counterweight, still skipping.
superstar superstar
There have been a few complaints about this, present estimate is 500-1000 records potentially affected. May I ask what turntable you're playing it on?
Malien Malien
This is a fantastic pressing. Sounds super clear. No defects.
Little Devil Little Devil
There is apparently a lot of defects with this release so be careful if you don't open it right away.
Perdana Perdana
I mean they aren't all going to have issues but a lot of people are noticing damage and other defects. I am glad your copy is fine but that doesn't mean it isn't a problem.
Nothing personal Nothing personal
Mine is perfect. Not sure what you're talking about here.
Berkohi Berkohi
Understatement. Mine came with sharpie on one of the side labels, a giant scratch on side C, and one of the sleeves ripped open. Yay...
Fordrellador Fordrellador
I've received this today and I am very satisfied with this edition of the record! I don't have an original vinyl press to compare this one to, but I have listened to this record on and on for many years to be able to tell the differences within this copy. For instance, all the tracks all have a few seconds gap after they end. That means the kids' laughs in Dirty Harry and the starting laugh in Feel Good Inc are not together. This doesn't really bother me, but it's worth noting as it is obviously apparent in every single track. It's worthy to take into account however that this is actually apparent on the digital version of this album in every streaming platform. As far as quality, this pressing really lives up to the hype. Very loud and crisp. The bass is very heavy and you can definitely notice its effect on "Kids With Guns", "Dirty Harry", and "Fire Coming Out of a Monkey's Head", the latter really sounding so much better with the louder bass. If there's anything that does sound iffy at times it would be the vocals, with some of the choir vocals on the last two tracks sounding really distorted. That is really my only real complaint about this pressing, but given how everything else sounds so good, it doesn't matter that much in the end.Really glad that Vinyl Me, Please was able to score a hyped-up release like this one. Been a member for less than a year now, but they surprise (in a good way!) with every new month.
Alianyau Alianyau
Just received this and the special edition of In Rainbows today. This pressing is phenomenal, don't know if its worth $150, but still a very quiet noise floor with no pops or cracks.
Cerar Cerar
The special edition of In Rainbows is worth $150 tho! :) One of my favorites in my collection
Angana Angana
Just listened to my copy and it sounds fantastic. I have to agree with the others though: there was a lot of paper residue on both LPs when I first opened. I cleaned them both and they both sound great. Also as was mentioned, the slots to slide the inner sleeves in are way too tight considering I use Mofi inner sleeves. Other than that, the pressing is great.
Musical Aura Island Musical Aura Island
Got my copy in my hands and I have to agree with hundreds100. Only issue with it was that it was covered in loss, shredded paper from the factory sleeves and a lot of static build up, but other than that, amazing press. I wish I only had the original pressing to compare if this 2nd pressing surpasses the original or is on par.
SING SING
That's nothing a wet clean wouldn't fix, so I wouldn't call it a pressing problem.
Zicelik Zicelik
Just got my copy in today this is the best sounding version of the album I have ever heard. I have been listening to this album for a little more than a decade and this is the best I have ever heard it. No distortion, no pops, no clicks it is perfect. I was concerned that it would be a little bass heavy like allot of electronic and hip hop albums on vinyl but it is perfect and the bass is never overpowering. It's just as good as the 45RPM pressing of Panda Bear's Person Pitch. Highly recommended and I hope everyone else who ordered is as happy as I am right now.Edit: If I were to complaining about anything would be the packaging. The plastic sleeve that Vinyl Me Please provides you is a plastic resealable sleeve similar to that of Music on Vinyl. Except unlike Music on Vinyl, Vinyl Me Please put sthe cohesive glue on the flap rather than on the sleeve itself. Meaning that many times the flap will stick onto the record as you are putting it in, meaning you can either rip the sleeve, becomes cumbersome to get in, and can leave glue residue. The Vinyl Me Please, sleeves in one incident left glue residue on the front cover of my copy of Panda Bear's Person Pitch and I ended up switching the Vinyl Me Please sleeve for a regular one, and I am likely to do the same for Demon Days. Another issue is that the slots where you put the record inside are too small. I like to use Plastic Inner sleeves instead of the paper sleeves that are provided. The inner slots are way too tight to insert both the plastic sleeves and the ones that came with the animated members printed on each side meaning I had to stick the printed sleeves in between the gatefold rather than inside the inner slot. These are not deal breakers however they are minor annoyances that I think Vinyl Me Please could address in the future. The quality of the record is what matters most and this blew me away, the remastering job is excellent and it's subtle enough that those who are really into the album will notice a slight difference. I don't have an original pressing to compare this to only the original CD copy I purchased as a kid, but this is for sure beats the CD. However, it is not worth the 200 dollars canadian people are charging right now as I am writing this. Shame on those who are selling it for that much, and I hope everyone who wanted a copy got one and there are enough of them pressed that everyone can get one for a decent price or a standard reissue is available soon.
Walan Walan
Senior Editor of VMP has confirmed that over 25,000 copies were pressed and the amount total pressed is somewhere under 40,000 copies.Source: Gorillaz - Demon Days (April 2017 AOTM) - VMP Forums / Page 18
GoodLike GoodLike
most signs point to Fiona Apple's Tidal (first ever pressing), but if you sign up for any plan above monthly, it comes with unlimited swaps. As a member I can assure you there is always something in the store you want, whether it be smaller run exclusive pressings, past album of the months still in stock, reissues, or new releases. Their curated selections are well thought out and diverse.
BOND BOND
a lot of people had to buy the other plans to get into getting the Gorillaz album. the month to month sub was removed pretty quickly once it went live.
Ishnjurus Ishnjurus
Also on the forums they said they accounted for a %15 increase, so just going off 25k, a 15% increase for that would put it at 28,750. So 30k might be feasible.
Agrainel Agrainel
Sorry for the peeps who missed out. VMP should have known this record was going to sell out. Now I wonder how many they actually pressed for the ROTM.
Kanrad Kanrad
Just wondering . . . also . . .
Ynye Ynye
Where did you get that number from? I can't seem to find anything about it.
Kelerana Kelerana
2 0 . 0 0 0 c o p i e s.
Dagdage Dagdage
Oh boy, I already know the marketplace for this thing is gonna be a shit show.
LeXXXuS LeXXXuS
Sadly this is not a true repress, just a limited thing for a record club. Shit, Who even knows if they used the original masters
Windforge Windforge
it's a cooperation between VinyMePlease and the Gorillaz.. so I would guess they have had access to the original masters ;)
Just_paw Just_paw
It is a half speed remaster, done at Alchemy Mastering, and was done using the original masters. This was all confirmed by CJ on twitter. I would guess, due to the half-speed mastering, this will sound better than original pressing.
Qutalan Qutalan
"To get this record delivered to your door we work with the artist & record label on a special-edition pressing...For newer releases (and some older releases), source audio comes from the original masters."https://vinylmeplease.groovehq.com/knowledge_base/topics/who-presses-the-records-for-vinyl-me-pleaseThey refer to it as an official repress @5:25https://soundcloud.com/user-570276375/rotm-roundtable-demon-daysAlso, you could just email them and ask.
Erienan Erienan
It's a half speed remaster. That makes it a unique pressing, not a repress.